Friday, November 15, 2019

Analysis of Dickinson’s Pain has an Element of Blank :: Element Blank

Analysis of Dickinson’s Pain has an Element of Blank      Although cryptic in language and structure, Dickinson gives her work an instinctually vivid sense of emotion.   Her examination of the feeling of pain focuses in on only a few of the subtler nuances of pain that are integral parts of the experience.   She draws in on an "Element of Blank" that she introduces in her opening line.   In exploring pain, she proposes that this "blankness" is a self-propagating force that is subject to the dynamic forces of time, history and perception, but only to an extent. Her first mention of "Pain" in the first line does not distinguish this particular emotion as being of a particular brand of pain.   She substitutes no other words for "pain."   By suggesting no other words for "pain," she chooses the most semantically encompassing term for the emotion.   She thus gives her work the responsibility of examining the collective, general breadth of "pain."   Her alternatives offer connotations that color her usage of "Pain": the sense of loss in "grief" and "mourning" or the sense of pity in "anguish" and "suffering."   She chooses the lexical vagueness of "Pain" to embrace all these facets of the emotion.    In introducing the "Element of Blank," it becomes the context that she thus examines pain.   The exact context of "Blank" possesses a vagueness that suggests its own inadequacy of solid definition.   Perhaps this sense of indefinition is the impression that this usage of "Blank" is meant to inspire.   In this context, this "blankness" is suggestive of a quality of empty unknowingness that is supported by the next few lines: "It cannot recollect When it begun."   This inability to remember raises a major problem with respect to the nature of "Pain;" namely whether Dickinson is choosing to personify "Pain" by giving it a human quality like memory, or is in fact negating the humanity of making it unable to remember.   Several lines below, she suggests that "Pain" does in fact possess some sort of limited sentient ability in recognizing "Its Past - enlightened to perceive."   It is very possible that it is the "Pain" that is being enlightened or perceiving. These conscious acts of giving "Pain" some sort of capacity of awareness personify "Pain" to some extent.    In continuation of "Pain's" inability to remember, She proceeds, "It cannot recollect When it begun - or if there were A time when it was not.

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